民族舞蹈双人舞创作的“言语行为”研究

“Speech Acts” in the Creation of the Couple Dance of Ethnic Folk Dance

文章从“言语行为”的视角切入民族舞蹈双人舞作品的创作中,探索不同语境下舞蹈身体的“言语行为”所表现出的不同状态和内涵,以及“言语行为”在民族舞蹈双人舞作品中的价值体现。舞蹈肢体语言具有直观性,“言”必要通过“行”来体现。在舞蹈创作中“言语行为”的运用形式主要有两个方面,一方面是舞蹈编导的言语通过舞蹈作品来达到其言外之意;第二个方面则是舞蹈作品中人物之间的“言语行为”,通过对具体文化背景下“言语行为”的提炼、整理,结合舞蹈编导的理解和感悟,从而形成舞蹈作品。

This paper examines the creation of the couple dance of ethnic folk dance from the perspective of “speech acts”,exploring the different states and connotations expressed by the dancing body in various contexts,as well as the value of “speech acts” in the works of the couple dance.The body language of dance is intuitive,where “speech” and “action” occur simultaneously,and “speech” must be embodied through “action”.The application of “speech acts” in dance creation mainly involves two aspects:firstly,the choreographer's speech conveys its implied meanings through the dance work;secondly,dance works are created by refining and organizing these “speech acts” between characters within specific cultural contexts and combined with the choreographer's insights.