互文与重复:《被偷换的孩子》的叙事研究

Intertextuality and Repetition:A Study on the Narration in The Changeling

《被偷换的孩子》以著名导演伊丹十三自杀事件为原型,讲述了主人公长江古义人通过与妻兄吾良自杀后留存的“田龟”装置的对话,探寻吾良自杀原因,直面日本暴力事件对民众生活构成威胁的故事。作品通过长江古义人与“田龟”的对话,使作品中的暴力事件与其他文学作品构成互文,折射出日本民众面临的民主危机;借用西方民间传说框架,以隐喻呈现社会现实,反映日本民族意识,体现了大江健三郎晚年对神话、国家与历史关系的深刻感悟;借千槿对长江古义人记忆的重述与解构,使后者重塑自我认知并反思历史。大江健三郎借对人物的记忆重构与重生期望,为战后日本民众提供了救赎灵魂的路径。

Based on the suicide of the famous director ltami Juzo,The Changeling is a story in which the protagonist,Kogito Choko,explores the reasons for the suicide of his wife's brother,Goro,through a conversation with the"Tiangui"device that was left behind after Goro's suicide and faces the threat of violence to people's lives in Japan.The work based on the dialogue between Kogito and the"Tiangui"is an intertextuality of fictional violence and other literary works,reflecting the crisis of democracy faced by the Japanese.The author borrows the framework of Western folklore,presenting the social reality in metaphors,reflecting the Japanese national consciousness,and embodying Kenzaburo Oe's deep understanding of the relationship among myth,nation and history in his later years.Through the repetition and deconstruction of the memories of Kogito by Chikashi,it makes Kogito reshape his self-awareness and reflect on history.Through the reconstruction of characters'memories and the expectation of rebirth,Kenzaburo Oe provides a path for the Japanese who had participated in the invasive war toward foreign countries to redeem their souls.