高剑父的第三次留日及其相关问题新探

Gao Jianfu's Third Stay in Japan and a New Exploration of Related Problems

本文根据原始文献,对高剑父1914年的第三次留日及回国参展巴拿马赛会等问题进行探究,指出高剑父能第三次赴日官费留学,源于他有功民国。留学期间能回国筹办巴拿马赛会出品事务,是他秉持“美术为工业之母”,以“振兴美术”来“促进工业之改良”,将举办美术展览会与振兴工商业实业相联系等思想观念的实践体现,其出品参展作品无论是艺术特色还是思想内容都值得我们重视。

Based on the original literature,this paper probes into the issues such as Gao Jianfu's third stay in Japan in 1914 and his return to participate in the Panama Exposition,and points out that Gao Jianfu's third study in Japan with government fees stems from his meritfulness in the Republic of China.During the period of studying abroad,he was able to return to the country to organize the production of Panama Exposition,which is the practical embodiment of the ideological concept of"fine arts as the mother of industry","promoting the improvement of industry"by"revitalizing fine arts",and linking the holding of fine arts exhibitions with the revitalization of industry and commerce.Both artistic characteristics and ideological content of his exhibited artworks deserve our attention.