摘要
以大花被面的历史溯源、民俗寓意为文化铺垫,从大花被面的图案题材、图案组织、色彩配置等艺术特征分析入手,探讨大花被面文化的理论内涵与实践意义;通过设计实践和案例分析,重构大花被面在文创产品设计中的再生应用方式,总结出“面料的组合与混搭”“元素的解构与重组”“载体的拓展与创新”等具体应用方法,以提高民俗文化在新时代的有效传播与继承。
Based on the historical origin and folk meaning of the big flower quilt cover,the theoretical connotation and practical significance of the big flower quilt culture are introduced from the pattern theme,pattern texture,color configuration and other artistic characteristics.Through design practice and case analysis,the paper restructures the regeneration and application of big flower quilt cover in the design of cultural and creative products,and summarizes the specific application methods such as"combination and mixing of fabrics","deconstruction and reorganization of elements"and"expansion and innovation of carriers",so as to improve the effective transmission and inheritance of folk culture in the new era.
作者
陈志锋
王俊昌
CHEN Zhifeng;WANG Junchang(School of Design and Art,Hunan Technology and Business University,Changsha 410000,China;China Agricultural University,Beijing 100193,China)
出处
《印染》
CAS
北大核心
2024年第12期81-85,共5页
China Dyeing and Finishing
关键词
大花被面
艺术特征
文创产品
再生设计
big flower quilt cover
artistic characteristics
cultural and creative products
regenerative design