摘要
从纪念行为的主动性入手,着重挖掘所有艺术门类中都客观存在的“纪念心理”并深究其起源.首先,文中选择了与建筑艺术关系最为密切的形象艺术和宗教艺术作为两个典型论述,对建筑艺术中纪念心理存在的客观性进行了佐证,而且从时间顺序和思维层次上作了尝试性的关联.然后,对建筑艺术中存在的纪念心理的存在根源进行了剖析和分类,从“永恒”、“神秘”、“英雄”、“历史”四个方面进行了阐述.
Introducing from the activism of memorial conducts,this article emphatically investigate″the memo-rial mentality″which objectively exists in all sorts of art and deeply investigate its origin.First and foremost,the article selected the imagery art and the religious art which two are the most tight contact to the architectural art to discourse as two typical gravities.All these proved that the existence of the memorial mentality in the archi-tectural art is objective.And try to connect with them along the horary sequence and the ideological level.Then,the source of why the memorial mentality exist was analyzed and classified,and been explicated from four direc-tions.The four directions are'stability','mystery','heroism','history'.
出处
《哈尔滨建筑大学学报》
北大核心
2002年第4期96-102,共7页
Journal of Harbin University of Civil Engineering and Architecture
关键词
建筑艺术
纪念心理
纪念性
architectural art
memorial mentality
memorial quality