摘要
《红高粱》是战争修辞话语的另类:其非宏大、非高调叙事,引导了关于战争的另类想象。对强悍生命的修辞书写,召唤着民族的刚健之魂,并接续了中国现代文学史上的尚“力”传统。莫言的时间修辞改写了战争叙事流程。作家在战争现实之外,重建了一个关于战争的审美现场,也重建了战争修辞话语的审美价值尺度。
Hong Gaoliangis the deviant of rhetoric discourse of war:its narrative of non-greatness and non-high-sounding words leads deviant imagination of war. The rhetoric writing of intrepid life calls the national powerful spirit,and keeps up with the tradition of thinking highly of 'power'. Mo Yan's time rhetoric rewrited the narrative turn of war. The author who stood out of the reality of war,had reconstructed a scene of esthetic and a scale of esthetic value of the rhetoric discourse of war.
出处
《青海师范大学学报（哲学社会科学版）》
2002年第4期100-104,共5页
Journal of Qinghai Normal University(Philosophy and Social Sciences Edition)
关键词
《红高梁》
战争修饰
审美现场
rhetoric of war
the deviant writing
the scene of esthetic
