摘要
随着思想解放和西方文论的引入,对复杂的文艺现象进行庸俗化简单化处理的方式受到批评。文艺批评的思想标准和艺术标准的两分法也随之被超越。但在具体的批评实践和一些最新教材中,思想标准这一范畴仍被沿用,其内涵也未发生根本变化。因此在没有提出新的批评方法和标准之前,重新认识和界定思想标准是十分必要的。本文通过回顾“思想标准”的形成史以认清它的真实内涵,同时提出“如何重新给定思想标准的内涵”的问题。
With the introduction of ideological liberation and the western literary and artistic criticism, the vulgar and simple handling of the complicated literary and artistic phenomena has been criticized. The approach has been exceeded, which once divided the literary and artistic criticism into ideological and artistic criterion. But in the specific criticizing practice and some latest teaching material, the category of ideological criteria is still being used, and its connotation doesn't change fundamentally. So before the appearance of new critical approaches and criteria, it's very necessary to recognize and definite ideological criterion once again. The thesis tries to find the real connotation of ideological criterion through reviewing the putting forward of ideological criterion and its formative history. At the same time, the thesis raises the question of how to newly definite the connotation of ideological criterion.
出处
《培训与研究(湖北教育学院学报)》
2002年第4期18-20,共3页
Training and Research-Journal of Hubei College of Education