摘要
三段论是文学创作中的一种审美叙事手法。《白鹿原》成功地将传统故事叙事三段原理创化为审美三段论:人物塑造三段论在发展中塑造了鲜活的人物形象,展示出复杂的人物性格,挖掘出人物命运的悲剧意义;情节演进三段论通过丰富复杂的意象情节变化强化了作品的可读性,探寻到人物的心路走向,展示出广阔的社会生活和历史真实;主题意蕴三段论在社会事物的互动发展中揭示了民族文化心理的演变轨迹,反思和建构了民族文化。
Syllogism is a means of aesthetic narration in literary writing. The novel 'Bailu Yuan' (The White Deer Village) is successful in transcending the traditional syllogistic principles of narration into the aesthetic syllogism. The syllogism in image building has shaped lively figures in the development of the story, displaying their complex characters and excavating the tragic meaning of their fates. The syllogism in plot development has strengthened the readability of the novel through depicting rich and complex images, explored into the orientation of the characters' minds and exhibited the broad social life and the historical reality. The syllogism in thematic implication has revealed the path of the people's cultural and psychological evolvement, and reflected on and constructed the national culture.
出处
《河南师范大学学报(哲学社会科学版)》
北大核心
2002年第6期90-94,共5页
Journal of Henan Normal University(Philosophy and Social Sciences)
基金
陕西省哲学社会科学研究"十五"规划课题