摘要
稼轩词中大量的典故意象所含人物的崇高美和儒雅潇洒之美是稼轩主体品性美的反映。但这种崇高美和儒雅潇洒之美只是其表,"志士失职而志不平"和杜鹃啼血似的慷慨悲壮才是稼轩典故意象蕴涵的内美本质。典故意象之大量运用对稼轩词的主导美学特质具有重大影响,具体表现在:1.内容上奠定其用典之词情感基调的作用;2.形式上的"陌生化"效果和抒情话语的多样化特征。3.对其用典之词既慷慨悲壮又含蓄蕴藉的意境具有构境作用。
Jiaxuan's subject characters are represented by numerous allusion images containing noble beauty and refined and unconventional beauty in Jiaxuan's diction. But such beauties are only at surface level. Heroism and generosity are just the essence of internal beauty contained in Jiaxuan allusion image. Extensive application in allusion image took great effect on the dominant aesthetic feature in Jiaxuan's diction, specifically shown in the following aspects: laying a emotional keynote for allusion words in content; 2. \!Unfamiliarization\' effect in form and diversity in lyric discourse; 3. Generous, heroic and implicit in artistic conception
出处
《新疆大学学报(社会科学版)》
CSSCI
北大核心
2002年第4期101-106,共6页
Journal of Xinjiang University(Social Science Edition)
关键词
稼轩词
同形同构
主体品性美
陌生化
构境作用
美学特质
典故意象
意境
辛弃疾
Same in Both Form and Structure
Beauty in Subject Character
Unfamiliarization
Function in Forming Artistic Conception