摘要
灰色调倾向的工笔花鸟作品在传统的审美基础上对中国绘画进行新的尝试,是新一代绘画观念的转变、是传统语言、色彩理念,借助西方绘画手法,运用到工笔花鸟画创作的成功实践。它既拓宽了工笔花鸟的色彩语言,同时又证明了中国画家在色彩的运用表现上,必以继承前人的经典为基础求发展,使之更加有文化内涵。
The gray tone meticulous flowers-and-birds painting works are a new attempt to enrich Chinese painting skills.Representing a new generation painting idea,those works are successful examples in which their painters well combine Chinese language and Chinese color preference with western painting skills. They not only contributed to Chinese meticulous flowers-andbirds painting language,but also proved the fact that Chinese painters,only when they inherited from their predecessors in the use of color performance can they achieve a better development and empower their works with rich cultural connotation.
作者
邱逸曼
QIU Yi-man(Academy of Guan Shanyue Chinese Painting,Guangzhou City Polytechnic,Guangzhou 510405,Guangdong,China)
出处
《广州城市职业学院学报》
2019年第1期19-22,共4页
Journal Of Guangzhou City Polytechnic
关键词
灰色
灰色调
传统
倾向成因
gray
gray tone
tradition
causes of tendency