摘要
奥古斯丁的《忏悔录》之所以岁久弥光,其中原因是由于他采取了独特的叙述方式——祈祷。祈祷者"我"对"上帝"的叙述构成了文本的内容以及人的行为关系。这是一种非常特殊的、修辞性的呼叫祷告式陈述。借助于交替出现的三种普遍模式,它的四种基本形态以一种对话性叙述方式被呈现出来。这种由两个交叉独白构成的对话,变静态叙述为动态表现,突出了叙述者"我"的独特声音,其最大功能是表现"内在的我"形象的自我意识和自我探索精神。
Confession has become world famous because Augustine took a unique narrative form of prayer. The narrative that prayed 'I'on the 'lord'constitutes the content of the text as well as the relationship between the behavior of people. This is a very special,rhetorical prayer. By means of alternating three universal models,its four basic forms of dialogue in a narrative mode are presented. This kind of narrative constituted by a conversation between two intersecting monologues highlight the narrator of 'I'unique sound,its most striking feature is the performance of the 'inner me'image of self-awareness and self-exploration spirit.
出处
《广东外语外贸大学学报》
2015年第3期9-13,共5页
Journal of Guangdong University of Foreign Studies
基金
广东省哲学社会科学规划学科共建项目"西方人文学研究"(GD14XWW18)
