摘要
明万历二十年(1592)前后,徽派版画风格以《养正图解》的刊刻为契机,打入了以金陵画派为主流的金陵刻书市场,使得晚明版画风格进一步向徽派演变,而这一契机背后又与晚明朝政格局尤其万历'国本之争'牵连甚大。
Around the year 1592, the twentieth year of the Wanli reign(1573~1620), the Huizhou style of woodblock painting, taking advantage of the cutting of Illustrated History of Righteous Men(Yangzheng tujie),entered the Jinling woodblock book market which had been dominated by the Jinling painting style. This prompted a further step in shifting the woodblock painting style to the Huizhou style in the late Ming dynasty(1368~1644). The authors argue that the change is highly associated with the political structure of the late Ming court,especially the 'Struggle to Defend the Principle of Imperial Succession'(guoben zhizheng) in the Wanli reign.
作者
艾珊歌
宋沛哲
Ai Shange;Song Pei zhe
出处
《故宫学刊》
2018年第1期114-121,共8页
Journal of Gugong Studies
关键词
明代
国本之争
徽派风格
版画
养正图解
传播
Ming dynasty
Struggle to Defend the Principle of Imperial Succession
Huizhou style
wood block painting
Illustrated History of Righteous Men
spread