摘要
原创音乐剧《钢的琴》,自2012年8月建组开排起,在随后仅仅一年时间里,已取得了百余场演出的佳绩。在此期间,该作品得到了来自社会各界的广泛关注并赢得了业内外人士的诸多好评——"入人心,接地气"或许是评价该作品时使用的最多的词汇。《歌剧》杂志特邀该剧的青年导演王婷婷,在此阐述导演思路,并就二些创排过程中遇到的问题及摸索总结出的经验与大家做以分享。
The original nuisical The Piano in a Factory has been in development since August 2012,when a team was built and rehearsals began.Within a year,the show had already clocked in more than a hundred performances,attracting attention from all walks of life.Many praise it for its ability to strike at people's heart and being close to the earth.Director Wang Tingting speaks about her conception of the work as well as the creative and rehearsal process.
出处
《歌剧》
2014年第3期54-59,共6页
Opera
