摘要
在第四届国际公共艺术奖的评选中,以土耳其、印度、巴基斯坦、伊朗、黎巴嫩、以色列为代表的西中南亚地区,其公共艺术的表现方式区别于近些年来流行的新媒体艺术,其媒介也并非以数字、数码技术作为支撑。在更多时候,来自该地区的公共艺术项目展现了一种带有自身地域特征的人文主义倾向。本文通过梳理近年来这几个国家当中较为突出的公共艺术案例,具体介绍了这些案例中人文主义倾向的不同表现。
In the selection of the 4 th IAPA,Turkey,India,Pakistan,Iran,Lebanon,Israel of the west and south and central Asia bring about a public art different from the popular neo media art of recent years.It is not backed up by digits and digital technology.More often than not,public art projects from this region exhibit a humanistic preference with their own regional characteristics.By sorting out the outstanding public art cases from these countries in recent years,this paper introduces the different manifestations of humanism tendency in them.
出处
《公共艺术》
2019年第4期70-72,共3页
Public Art