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意识形态批评与女权主义电影理论 被引量:1

Ideology and Feminist Film Theory
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摘要 对西方当代电影批评理论 ,中国的电影理论界至今还介绍和理解得不够 ,甚至有人盲目排斥 ,视而不见 ,如果我们采取理性客观的态度 ,就会发现其中有很多合理的新颖的东西 ,并且有助于开阔我们的视野、启迪新的思维方式。本文介绍了西方当代电影批评理论的重要内容 :意识形态批评和女权主义电影理论 ,这些理论早在六、七十年代已风行于西方 ,正越来越多地运用于当今的电影批评中 ,而且仍在发展深化。 Due to scanty introduction and insufficient comprehension, contemporary western film theories have not got their entry fully into China's film theoretical field; even some people rejected the theories blindly and ignored them. If we take a rational and objective attitude, we may find among them something reasonable and novel, which can help us to widen our scope of view and edify our ways of thoughtways. This paper makes an introduction of the major contents of modern western film criticism theories: ideological criticism and feminist film theory, which were popular in the west in the sixties and seventies; however, they are more and more applied to the modern film criticism and also are getting developed and deepened.
作者 林科吉
机构地区 渝西学院中文系
出处 《渝西学院学报(社会科学版)》 2002年第2期92-96,共5页
关键词 意识形态 女权主义 电影批评 ideology feminist film criticism
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参考文献2

  • 1尼克·布朗.电影理论史评.中国电影出版社,1994.
  • 2[3]乔纳森·卡勒.当代学术入门--文学理论[M].辽宁教育出版社,1998.

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