摘要
庄子是道家学说的主要继承者和拓展者 ,他以寓言的形式、富丽堂皇的风格宣示着独特的时代思想和哲学、美学主张。隐含在其中的艺术价值取向 ,对中国艺术、尤其是对传统绘画艺术的审美走向 ,产生了深刻的影响。
Zhuangzi was a successor and developer of the Taoist theories. He put forward progressive ideas and philosophical and aesthetic ideas in the form of fable and in a splendid style. The artistic orientation implied in his ideas had a deep effect on Chinese art, especially on the aesthetic orientation of traditional painting.
出处
《河南大学学报(社会科学版)》
2002年第5期39-41,共3页
Journal of Henan University(Social Sciences)