摘要
通过对徐的《欲海狂潮》戏曲文本与奥尼尔的《榆树下的欲望》的戏剧文本的关系比较 ,分析和总结徐对外来戏剧审视、借用和转化的具体过程 ,以及她对戏曲主体性的把握 ,探讨中外文学关系比较中借用、借鉴。
Xu Fen′s version of traditional opera Fierce Tide on Greed Sea is related with O′nell′s version of drama Greed under Elm to show a connection between them and they are compared.After that,the author analyses and sums up Xu Fen′s careful study,borrowing and transformation of foreign drama as specific processes and her holding of subject consciousness;and inquires into such issues of borrow,use for reference,transformation and innovation in relating Chinese literature with foreign literature to show a connection between them and in comparing them.
出处
《华侨大学学报(哲学社会科学版)》
2002年第3期99-105,共7页
Journal of Huaqiao University(Philosophy & Social Sciences)
关键词
戏曲
戏剧
文本关系比较
主体意识
traditional Chinese opera
drama
relation and comparisons between different versions
subject consciousness