摘要
跨湖桥遗址的人们创造了灿烂文化 ,在浙江史前史上作出了应有的贡献。如有榫木构件的出现 ,经河姆渡文化人们的发展 ,其后逐步成为中国传统建筑的一个特点。跨湖桥遗址的彩陶 ,与陕西临潼白家村老官台文化的彩陶 ,在风格上截然不同 ,分属南北两大系统。跨湖桥遗址刻划纹的发展 ,为良渚文化时期雕琢精细而优美的玉器纹饰的产生奠立了基础。跨湖桥遗址早期的年代 ,为距今 80 0 0多年 ,把长期停留在晚期的浙江新石器时代考古推进到中期。
People of Ruins of Kuahu Bridge created a splendid culture which made a due contribution to the prehistoric history of Zhejiang. For example, the appearance of structural components of wood nog, which after having been developed by people of He Mudu, gradually becomes a feature of Chinese traditional buildings. The colored potteries in the Ruins of Kuadu Bridge are extremely different from the ones of Lao Cuantai culture in Baijia village. Lintong, Shanxi. They separately belong to south and North systems. The development of carved grains in the Ruins of Kuahu Bridge lays the foundation of the elegantly sculptural jadeware grains during the period of Liangzhu culture. The early years of the Ruins of Kuahu Bridge, which is more than 800 years, makes the archaeological studies on New Stone Age of Zhejiang stride forward into the mid\|term, after remaining in the late period for a long time.
出处
《杭州师范学院学报(社会科学版)》
2002年第5期51-55,共5页
Journal of Hangzhou Teachers College(Humanities and Social Sciences)
关键词
跨湖桥遗址
木榫
彩陶
Ruins of Kuahu Bridge
wood nog
colored pottery