摘要
在诗、乐、歌合一的上古时代 ,《乐记》对以往零散的诗论有所继承和发展 ,并使之更加全面、系统。它强调君子知乐是诗歌创作的基础 ,心物感应是创作的契机 。
In ancient times with the unity of poems, music and songs, The Book of Music had inherited and carried forward former scattered theories on poems systematically, which stressed that during creating works, a well-read gentleman is the basis; the interaction between spirit and nature is the moment to draw inspiration; the goal of creation is to change prevailing habits and customs.
出处
《学术交流》
北大核心
2002年第5期138-140,共3页
Academic Exchange
关键词
君子知乐
心物感应
移风易俗
a well-read gentleman
the interaction between spirit and nature
change prevailing habits and customs