摘要
池莉近作显示出强烈的审视男性的倾向 ,并提供了三种打量男性的视角 :女性主人公视角、女性主人公兼叙述人视角以及女性叙述人视角 ,不同的视角表达对待男性的不同态度。它们使女性由通常的被看变为观看他人 ,是对女性“躯体写作”的超越 ,同时使女性言说得以摆脱被动和隔绝的状态。
In Chi Li's current works, there is an obvious inclination in her observing male, which can be divided into three kinds: the perspective of the female character, the perspective of the female character and the narrator, and the perspective of the female narrator. Different perspectives lead to different attitudes towards male. Her works turn the traditional female's status in the novels, who used to be observed, into the ones of observing male. This is the transcendence of female body writing which makes the femal novels extricate itself from a passive and isolated position.
出处
《华中师范大学学报(人文社会科学版)》
CSSCI
北大核心
2002年第6期128-133,共6页
Journal of Central China Normal University:Humanities and Social Sciences
关键词
叙述视角
男性
女性主义批评
narrative perspective
male
femalism criticism