摘要
《野玫瑰》是战国派文学的代表作,它是抗战期间僻居昆明的知识群体中的部分自觉投身民族救亡的文学艺术活动的产物。它既体现了该派丰富而深刻的思想文化内涵,也展示了其独具的艺术匠心,同时还暴露了重文化学理轻政治实际而与现实相脱节的学者化思考之痼疾。当年左翼对它的诟难,相当程度源自于"政治声讨重于艺术论争"和"实事求是的艺术分析"的缺席。
The Wild Rose,the product of literary activities undertaken by some intellectuals in Kunming during the Anti-Japanese War,is the masterpiece of the School of the Warring States.It portrays both the profound cultural content and the literary skills of the School. Meanwhile,it exposes the defect of the scholarly perspective,which is characterized by stressing academic research while belittling political reality.Consequently, the impugnment by the Left-Wingers then to a great extent was due to 'political condemnation superior artistic debates' and the lack of 'the artistic analysis from the perspective of being practical and realistic'.
出处
《南昌大学学报(人文社会科学版)》
北大核心
2002年第4期108-113,122,共7页
Journal of Nanchang University(Humanities and Social Sciences)
基金
教育部博士点基金项目"1900-1949年中国文艺思想和流派论争研究"成果的一部分。
关键词
《野玫瑰》
论争
战国派文学
The Wild Rose
controversy
literature of the School of the Warring States