摘要
宋室被迫南渡,半壁江山易主,历史的巨变,带来了山水画风格的变异。以李唐为首的“南宋四大家”,以刚劲的大斧劈皴,寥寥一角、隐隐半边的构图,给人意味深长,境界完整的艺术感受,实为开创了中国山水画史上的新局面。
Half of the state power of the Song Dynasty was subjugated and the royal family was compelled to more southwards . Drastic historical changes gare birth to stylistic variation of landscape painting. With Li Tang as the chief representative , the ' Four Great Artists of the South Song Dynasty', conveying a deep artistic impression of unlimited interest and magnificent conception through their bold hachet - choppingtexture strokes and indistinct composition, ushered in a newepoch in the history of Chinese landscape painting.
出处
《河南教育学院学报(哲学社会科学版)》
2002年第2期109-112,共4页
Journal of Henan Institute of Education(Philosophy and Social Sciences Edition)
关键词
李唐
刘松年
马远
夏圭
风格变异
Li Tang
liu Song- nian
Ma Yuan
Xia Gui
stylistic variation