题图文学中的“三棱镜”——以《断钗图》及其题咏为例

“The Triple Prism”of the Painting Literature——Take“Broken Jade Hairpin”and Its Poems as an Example

清代后期江南文人们群起题咏《断钗图》,源于武进才子汤贻汾为其母杨氏绘此图后发起的广泛征诗,亦感于汤氏家族三世殉国、一门忠义的情事。《断钗图》与其题咏如同一个小"三棱镜",能同时映射出清代题图文学、家族文学、女性文学三个不同研究范畴内的"景色";它们之间存在一种互动与再生产关系,诗画合作也产生了更强的传播效果和艺术生产力。

Jiangnan literary men wrote poems together for the painting named'Broken Jade Hairpin'in the late Qing Dynasty,which originated from Tang Yifen who was a wit in his hometown—Wujin asking for poems,and they were moved by Tang family's story about Loyalty and filial piety. All the paintings and the writings about it were like a small'The Triple Prism',which could reflect the scenery in three research categories,such as the painting literature,female literature,and family literature; and there was a relationship of interaction and reproduction between the painting and the poetry which cooperation brought greater communication effect and art of productivity.