摘要
岑巩傩戏在贵州傩堂戏中独具特色,其剧目数量多、内容丰富且祭戏交替,一定程度上是对人们日常生活的折射,也表达了群众驱邪纳吉、祈求安康的美好愿望。文章通过概括分析岑巩傩坛班常演剧目内容,总结剧目的特点,探讨岑巩傩戏传承及变迁的规律。
Nuo Opera in Cengong of Guizhou has its unique characteristics in this field. With its plenty of repertoire and rich content,Cengong'Nuo Opera,to some extent,is the refraction on the daily lives of people,and expresses the people's desire for driving away evil,pray for peace and good health,and good wishes. This paper analyzes Cengong Nuo Opera played in the repertoire by summing up its characteristics,and discusses the rules of Cengong Nuo opera's inheritance and variance.
出处
《贵阳学院学报（社会科学版）》
2015年第4期33-35,共3页
Journal of Guiyang University:Social Sciences
基金
贵州省优秀科技教育人才省长专项资金项目:"贵州傩戏历史文化研究与文本的整理"(黔省专合字〔2009〕139号)
贵州省教育厅人文社科研究基地项目:"黔东北
黔北傩戏文本的调研与整理"(黔财教〔2009〕152号)阶段性成果
关键词
岑巩傩戏
剧目内容
特征
变迁
Opera repertoire
Cengong
characteristics
change
