摘要
"比兴"与"寄托"本分属于"诗""骚",是中国诗词理论中的两个重要范畴。清代词家朱彝尊、张惠言以"比兴寄托"解词,将其作为诠释的重要内容。但在实际的评论中,却对"比兴""寄托"各有侧重,其中"寄托"发展成以读者为主的诠释;"比兴"则成为了清人诠释中以作者为中心的方法。"作者之意"与"读者之悟"在"比兴"、"寄托"所构造的幽玄之地中合而为一了。
Metaphor and Sustenance which belong to ' Songs' and ' The Chuci Poetry ' are two important categories of Chinese poetry. Zhu yizun,Zhang Huiyan who are famous critics in Qing dynasty use ' the metaphor and symbol' solutions for interpretation. But in the actual comments,comparative metaphor and symbol have different emphases,which 'sustenance ' developed into a reader-oriented interpretation; ' metaphor ' in the interpretation of Qing dynasty to the author-centric approach. ' Author' and ' reader's understanding' in the ' metaphor' and ' sustenance ' constructed by the unseen one.
出处
《贵阳学院学报(社会科学版)》
2015年第5期65-69,共5页
Journal of Guiyang University:Social Sciences
基金
贵州省哲学社会科学规划2015年一般课题:"汉赋与汉代政制关系研究"(课题编号:15GZYB58)阶段性成果
关键词
寄托
比兴
诠释
清词
Sustenance
Metaphor
Interpretation
Ci of Qing dynasty