论梁启超的审美启蒙

On Liang Qichao's Aesthetic Enlightenment

在梁启超等的审美理论中,西方的两种现代性内在张力,在中国的语境中转换成了民族与个人的紧张关系。"五四"知识分子把非理性哲学的叛逆性、超人意志看作是变革时弊、革新旧传统的重要精神力量。审美主义或者叫作"作为艺术观"的唯美主义和西方的并不一样,中国近代的审美主义理论包含有对现代性的肯定内容。以梁启超等为代表的近现代美学家从非理性审美角度为中国文学中现代主义诗学建构进行了不懈的努力。

In Liang Qichao's aesthetic theory,it has been found that two kinds of Western inner tension of modernity have been transformed into the tension between nation and individual in the Chinese context. The intellectuals in the'May 4th Movement'took the rebelling of irrational philosophy and the will of superman as the vital force driving the change of current malpractice and the innovation of the old tradition. Aestheticism or the artistic value of aestheticism is different from the Western's. Chinese modern aesthetic theory contains positive attitudes toward modernity. Modern aestheticians,represented by Liang Qichao,have carried on the unremitting efforts to construct the modernist poetic theory in Chinese literature from the irrational aesthetic angle.