藏族雕版艺术的形式美及其区域文化特征的解读

Interpretation of Tibetan Engraving Art form and Regional Culture Characteristics

版画在中国艺术门类及美术史中均占有不可或缺的地位,而藏族的雕版艺术更是以其独特的艺术表现力和区域文化特征独树一帜,是我国藏文化和印刷史的重要组成部分,在佛教的渐入、传播、发展和藏化过程中发挥了非常重要的媒介作用,堪称雪域高原的艺术奇葩。以中国版画艺术的整体视域,采用历史文献与民族人类学相结合的研究方法,并运用美学中的形式美理论,试图挖掘和解读藏族雕版艺术内在的独特的美学内涵和区域民族文化特征。

Prints has a very important position in arts and history of art in China,the engraving art of Tibetan has a very unique artistic expression and regional cultural characteristics,is an important part of Tibetan culture,played a very important role in the process of the spread of Buddhism,it is the essence of Tibetan art. In this paper,in the sight of Chinese engraving art,by adopting the combination of historical literature and national anthropology research method,and use the formal beauty in aesthetic theory, trying to dig and Tibetan engraving art has the inherent unique aesthetic connotation of national culture and regional characteristics.