从“悲而生乐”剖析民族音乐的社会性

Analysis of the Sociality of National Music from "Music from Sadness"

'乐'是音乐的本能,'喜而兴乐'是音乐起源的常态,'悲而生乐'却掀起了音乐本能超乎艺术的人文魅力,颠覆了传统音乐审美的思维定势。在中原音乐喜悦、奢侈的文化洗礼中'悲而生乐'的民族音乐传播,以独具审美遐想的乐符串联民族社会。论文以'悲而生乐'的民族音乐形态为切入点,探讨民族音乐社会性的艺术承载,认为'悲而生乐'是民族音乐艺术再审美、重塑造的应有之义。

'Le',which means happiness,is the foundation of music.Most of the times,music originates from happiness.However,music coming from sadness and sorrow reaches out beyond the happiness foundation and touches humanity.It overturns the traditional aesthetics of music.While music from joy and extravagance became mainstream in Central China,music from sadness and sorrow were born and spread in the form of ethnic music.Ethnic music brings out various aspects of the ethnic society,as well as those unique folk customs.This article takes a look at the ethnic music,which comes from sadness and sorrow,and discusses the social meaning of the ethnic music,which is necessary to music aesthetics and reshape.