摘要
我国55个少数民族在独特的环境与条件下创造了丰富多彩的民族音乐,少数民族音乐是民族文化的重要组成部分,是各少数民族在长期历史发展中的民族记忆,承载着人民的思想、情感与价值观念。在21世纪,少数民族音乐具有更加丰富的文化价值与内涵,是我国民族文化的代表性符号。少数民族音乐文化符号的塑造需要其文化价值与经济价值的双向提升,更需要做好开发、保护与管理等工作,这不仅是民族文化学术研究界普遍关注的热点课题,也是社会公众的重要需求,更是我国民族文化工作的主要内容。
55 ethnic minorities in China have created rich and colorful ethnic music under the unique environment and conditions.Minority music is an important part of national culture,and it is the national memory of ethnic minorities in the long-term development history.It carries the people’s thoughts and emotions and concept.In the 21 st century,minority music has more rich cultural connotations and values,and is a representative symbol of Chinese national culture.The shaping of minority cultural music symbols requires the two-way improvement of its cultural value and economic value.It also needs to do a good job in development,protection and management.This is not only a hot topic of national cultural and academic research,but also an important demand of the public.It is also a main part of our national cultural work.
作者
陈娟
王芳
CHEN Juan;WANG Fang(Art Institute,North University of China,Taiyuan,Shanxi 030015,China)
出处
《贵州民族研究》
CSSCI
北大核心
2019年第6期92-95,共4页
Guizhou Ethnic Studies
基金
山西省软科学研究课题“信息化背景下高校音乐表演专业翻转课堂教学模式的应用研究”(项目编号:2018041038-4)的阶段性成果