摘要
新疆近代美术的转型发端的原因较为复杂。通过探究、考证后发现新疆近代美术的发端、转型主要与疆外文化艺术的植入相关,比如屯边政策,移民的涌入,西方艺术的东进,沙俄艺术的输入等引起该区域内多重文化的相互碰撞、交融,从而引发了新疆美术由传统向现代的转型。
The origin of the transformation of modern art in Xinjiang is more complicated.The author through research found that the Xinjiang modern art of the origin,transformation and Xinjiang Arts and culture related policies such as implantation,Tun,the influx of Western art,art of the East,Russia caused by the collision and enter the region of multi culture blend,which led to the Xinjiang art from traditional to modern transformation.
作者
于海燕
光同敏
YU Hai-yan;GUANG Tong-min(Xinjiang Normal University,Academy of Fine Arts,Urumqi,Xinjiang 830054,China)
出处
《贵州民族研究》
CSSCI
北大核心
2019年第6期133-138,共6页
Guizhou Ethnic Studies
基金
教育部人文社科青年项目“新疆近代移民美术发展研究”(项目编号:14YJC760075)的阶段性成果
关键词
移民
美术转型
传播
汉文化
屯垦
immigration
art transformation
communication
Chinese culture
settlement
