摘要
晚清时期,计划到中国西藏求取佛经的日本僧人能海宽,于1889~1901年三次尝试进入西藏,1900年第二次入藏时,在四川成都、峨眉等地收集到《蜀丞相诸葛武侯祠堂碑》《大峨眉山永明华藏寺新建铜殿记》《峨眉山普贤金殿碑》《四条屏风鸟虫书画》的三通碑拓文和一组四条屏风鸟虫书画的拓本,带回日本后,被作为日本研究中国历史、中国书画艺术、中国古文字、中国金石铭刻技艺的珍贵文物,收藏在岛根县浜田市金城町能海宽研究会的博物馆。这些碑文拓本,是我国文化宝库中一份光彩夺目的遗产。
During the late Qing Dynasty,The Japanese monk Yutaka Nomi planned to go to Tibet to seek Buddhist Scriptures.He tried to enter Tibet three times from 1889 to 1901.When they entered Tibet for the second time in 1900,Collected the seven book of rubbings in Sichuan Province were brought back to Japan and collected as precious cultural relics for Japanese study of Chinese history,Chinese painting and calligraphy,ancient Chinese characters and Chinese inscriptions.They were collected in the Museum of Yutaka Nomi,Jincheng,Hamada City.
作者
何大勇
HE Da-yong(Yunnan Minzu University,Kunming,Yunnan 650504,China)
出处
《贵州民族研究》
CSSCI
北大核心
2019年第6期176-180,共5页
Guizhou Ethnic Studies
关键词
日僧能海宽
四川拓本
价值研究
Japanese monk Yutaka Nomi
ancient rubbings of Sichuan
value research