摘要
黔东南苗族有着浓厚的饰银习俗。银饰是区分不同地区的苗族以及支系的重要视觉标志,苗族浓厚的饰银习俗也孕育了大批的能工巧匠。不同的社会动机、社会环境促使银匠的生存方式因时因地产生变化。传统社会有'流动银匠'和'坐家银匠'之分。随着社会的发展,银匠的流动性逐渐增强。从以农作为节点的传统生计模式到以节庆为节点的现代流动模式,再到'旅游+文化'背景下的回流模式,黔东南苗族银匠的生存方式由'半工半农'变迁为城镇化的商业方式和创新发展方式,不同的生计方式也势必会对银饰本体产生影响。
The Miao Nationality in Qiandongnan have a strong custom of using silver decorations which are important visual symbols to distinguish one branch from other counterparts of the people in different regions.And this strong custom has also generated a large number of skilled craftsmen.Different social motives and social environments have prompted the silversmith to change their means of livelihood accordingly.There are'migratory silversmith'and'settled silversmith'in traditional society.The mobility of the silversmith has gradually increased over the society development.Thus their livelihood has changed from traditional pattern of agricultural time node to modern flowing pattern of festal time node,then to return pattern under the background of'Tourism+Culture',and their means of survival has changed from the mode of semi-craftsman&semi-farmer to the mode of urbanized business and innovative development.Various means of livelihood will inevitably have an impact on the cultural noumenon of silver ornaments.
作者
王星星
WANG Xing-xing(South-central University for Nationalities,Wuhan,Hubei 430070,China)
出处
《贵州民族研究》
CSSCI
北大核心
2019年第8期52-57,共6页
Guizhou Ethnic Studies
基金
国家社会科学基金重大项目“南方少数民族手工艺资源体系与基因要素图谱研究”(项目编号:17ZDA166)的阶段性成果
关键词
黔东南
苗族银匠
流动
生存方式
变迁
Qiandongnan
Miao Silversmiths
Flowing
The Survival Mode
Change