摘要
“行走者”是贯穿中国摇滚始终的一个形象。梳理中国摇滚十多年的脉络 ,我们看见 ,行走者离我们越来越近 ,其形象却越来越小 ;他的姿势由行走变成了奔跑 ,其意识却从清醒走向了迷惘 ,从痛苦走向了狂欢。由此 ,中国摇滚完成了从现代到后现代的文化转型 。
The walker is an image throughout the growth of Chinese rock. During over a decade's development of Chinese rock ,we see the nearer the walker's approaching us ,the smaller he's becoming .While his posture has changed from waling into running ,his mind from clearness to perplexing ,from pain to ecstasy .Hence ,Chinese rock has transformed actually from modernism to post-modernism ,which reflect the transformation of Chinese society .
