摘要
“与化为一”是渊明在玄学影响下所确立的人生观 ,“以化为居”便能以平淡高远的胸襟面对人生一切境遇 ,创造出艺术化审美化的人生境界。渊明以自然性分作为选择仕隐出处的依据 ,把士大夫不屑躬行的劳作生活转化为超越的人生审美境界。寄言出意的玄理被渊明融入到这种审美的人生境界 。
TAO Yuan ming's outlook on life, which is under the influence of the metaphysics in Wei and Jin Dynasties, is the foundation of his aesthetic state, “uniting oneself with nature” makes him not only remain calm in the face of the life and death problem, but also face everything in his life with a broad minded, and create an aesthetic state in his life. TAO Yuan ming takes “the nature and its boundary” as his life principle in the light of which he can select between reclusion and official career. When he returns to the idyllic life, the idyllic life which is despised by officialdom is transformed into a transcendent aesthetic state in his life.
出处
《华中科技大学学报(社会科学版)》
2002年第6期23-28,共6页
Journal of Huazhong University of Science and Technology(Social Science Edition)
关键词
玄学
人生观
审美人生境界
metaphysics in Wei and Jin Dynasties
philosophy of life
natural self transformation
aesthetic state