摘要
Tao(logos)is of great influence in the field of the ancient Chinese aesthetics.It is not the tao of a school or asect,but a culture spirit mainly based on Confucianism and Tao,a study of the relationship between nature and man.So it does not belong to any aesthetic concept.But,the experiencing manners of emptiness to Lao Zhuang’s Tao and the pursuit of the golden mean to Canfucian and Meng’s Tao are,in fact,the important aesthetic concepts.In addition.with the integrated influence of Xin(mind)and Qi(air),the two moumenon meaning,the concepts push forward the unique characteristics of the ancient Chinese aesthetics and aesthetic concept as well.Tao to Xin,Qi can also hold and involve it.So,Tao is not the philosophical access.This paper describes the found amental conditions of the ancient Chinese aesthetic concepts form the point of view-Tao.
Tao(logos)is of great influence in the field of the ancient Chinese aesthetics.It is not the tao of a school or asect,but a culture spirit mainly based on Confucianism and Tao,a study of the relationship between nature and man.So it does not belong to any aesthetic concept.But,the experiencing manners of emptiness to Lao Zhuang’s Tao and the pursuit of the golden mean to Canfucian and Meng’s Tao are,in fact,the important aesthetic concepts.In addition.with the integrated influence of Xin(mind)and Qi(air),the two moumenon meaning,the concepts push forward the unique characteristics of the ancient Chinese aesthetics and aesthetic concept as well.Tao to Xin,Qi can also hold and involve it.So,Tao is not the philosophical access.This paper describes the found amental conditions of the ancient Chinese aesthetic concepts form the point of view-Tao.
出处
《沧州师范学院学报》
2002年第2期5-9,共5页
Journal of Cangzhou Normal University
关键词
中国
古代美学
哲学理论
美学范畴
哲学范畴
Tao
benevolence
emptiness
the golden mean
aesthetic concept
philosophical access [责任编辑:陈景普]
