摘要
任何方法本身 ,其实都是研究对象本质特征的间接表现 ,研究对象特征上的任何变化 ,都会导致方法的相应变化。从严格语言学意义上说 ,语言其实只是一种高度抽象、无法直接研究的符号系统 ,我们实际相接触运用的 ,不过是语言的各种功能变体———语体。规范语言与艺术语言 ,实际就是从言语形式的规范和变异这一角度划分出来的语体类型的两翼。艺术语言是一般语言进入艺术这一使用域后发生种种变异而形成的 ,用独特的的结构形式传递着规范语言无法传递的情感体验 ,超越现实世界而进入人们心灵指归的可能世界 ,其基本功能发生从指代功能向表情功能的转变。这决定我们以语体学方法为研究艺术语言的基本思考方式。
Any method itself is the indirect expression of the essential character of the researched object.Any change in its charater will lead to the corresponding changes on the methods.As far as the strict linguistics is concerned,Language is only an highly abstract system of symbols which cant be studied directly.What we use actually is the functional variation-the types of language.The standard language and the artistic language are actually two branches of language types which are divided according to the regulation and variation of language forms.Artistic Language is the deviation of general Language used in the field of arts.With unique structural forms,it passes on the emotional experience which is what the standard language cant achieve.It goes beyond the 'real world' and into the 'possible world' of the imagination.Its basic function lies in the change of congnitional function to emotional function.For this reason,we are bound in this context to rely on stylistics as a basic method for the research of the artistic Language.
出处
《昆明师范高等专科学校学报》
2002年第3期16-21,共6页
Journal of Kunming Teachers College
关键词
语体学方法
艺术语言
表情功能
标点符号
语言学
the method of language stylistics
artistic language
eomtional function
systematic variation