本土化语境中的对话思维－毛泽东文艺民族化理论的精华

Dialogic Thought in Native Context--Essence of MAO Ze-dong's Theory of Literary and Artistic Nationalization

毛泽东的文艺民族化理论，是毛泽东文艺思想体系的核心部分。从本土化的对话思维角度来看，毛泽东的文艺民族化理论的精华，大致表现为四种对话关系：创造主体与接受主体的对话关系；创造主体与创造对象的对话关系；文艺传统与现代审美的对话关系；'百花齐放、百家争鸣'的对话关系。然而，从今天的全球化的对话思维看，毛泽东的文艺民族化理论有待发展。

MAO Ze-dong's theory of literary and artistic nationalization is the kernel of his literary and artistic ideology.From the viewpoint of native dialogic thought, the essence of this theory finds its expression in four dialogues:the dialogue between the creator and the receiver,a second one between the creator and the creation,a third one between literary and art tradition and modern aesthetics,and the one between the blossom of a hundred flowers and the contention of a hundred schools of thought.However,from the viewpoint of global dialogic thought,MAO Ze-dong's theory awaits further development.