身体的敞开与性别的改造——《金瓶梅》身体叙事的释读

Human Exposure and Sex Transformation: An Interpretation of Jinpingmei's Physical Narration

《金瓶梅》中细密的性行为描写,实际上是对"身体"的还原性敞开。这种精神的悬搁和对身体之实体性的直观把握,构成小说"写实"的基础,由此展示出晚明时期人之感觉性的生存情状和多元性、无根性的快适追求。但在这一"写实性"的身体叙事中,又隐藏着对女性性别的改造与重构。这一男性中心主义的叙事立场,使小说的"写实"含有了"非写实"的成分。其中内含的等式是:"女性"="欲望","女色"="情色";在这一非本真的显现中,所谓"客观性"="男性化"。

The fine description of sex behavior in 'Jinpingmei' is actually a restoring exposure of the 'human'. This spiritual suspence and the perceptual certainty of the substantial being of the human body formed the basis of the novel's 'realistic description', based on which people in the late Ming Dynasty showed their perceptual state of existence and the plurality and unoriginality of their pursuit of pleasure. However, there is a transformation and reshaping of female sex in stock in this 'realistic' narration of the human body. This mandominating stand of narration packed the novel with both 'realistic' and 'unrealistic' elements, in which are such equalities as 'female'='desire' and 'sextuality'='love'. And in this unoriginal exposure is the equality of 'objectivity'='malization'.