论张承志创作中人文理念的客体缺席

On the Object Abscence of the Humanities Concepts in Zhangchengzhi's Creation

张承志的创作定位于一种精英启蒙立场。从效果特征上看 ,它是对历史记忆的再度体验 ,不是对当下现实的有效反思。其目的是想在市场经济语境中重新确立庙堂意识。但市场经济的世俗化没有为它提供相应的客体结构。处于这样的阐释落差中 ,它的文化表情是错位的 。

Zhangchengzhi’creation locates on a position of essence enlightenment.From the effect,it is a re-experiencing of historical memory,not an effective reflection of the presentreality. Its purpose is to re-establish shrine consciousness under marketeconomy context. But market economy characteristic of secularity does not supply corresponding objective structure for it. Its cultural expression is dislocated in such an explanation con- trast,so it is decided to be a rescued mirage from the premise.