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《海洋奇缘》:女性环境书写的典范 被引量:1

“Moana”: A Model for Women's Environmental Writing
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摘要 迪斯尼最新公主电影《海洋奇缘》自上映之后受到评论界和观众的喜爱。本文尝试用生态女性主义理论分析这部电影,《海洋奇缘》从人物性格、背景设置和故事框架等都是女性环境书写的典范,非常适合推荐给儿童们观看。 Disney’s newest Princess movie'Moana'has been highly evaluated by critics and viewers since its release. This paper attempts to analyze the film from the characters,background setting and story frame with the theory of ecological feminism. It is a model for women’s environmental writing,therefore worthwhile watching by children.
作者 张红花 ZHANG Hong-hua(Foreign Languages Department,China Pharmaceutical University,Nanjing Jiangsu 210009,China)
出处 《湖北开放职业学院学报》 2018年第24期178-179,共2页 Journal of Hubei Open Vocational College
基金 2016年江苏高校哲学社会科学基金项目(项目编号:2016SJD750031) 2017年中国药科大学中央高校基本科研业务费项目的阶段性研究成果(项目编号:2632017RW15)
关键词 生态女性主义 《海洋奇缘》 迪斯尼公主电影 ecological feminism 'Moana' Disney’s Princess movie
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  • 1Carol Adams, Neither Man Nor Beast : Feminism and the Defense of Animals (New York: Crossroads/Continuum,1994).
  • 2Carol Bigwood, Earth Muse: Feminism, Nature, Art (Philadelphia: Temple University Press, 1993).
  • 3Leonie Caldecott and Stephanie Leland, ed. , Reclaim the Earth: Women Speak Out for Life on Earth (London:Women's Press, 1983).
  • 4Andree Collard and Joyce Contrucci, Rape of the Wild :Man's Violence Against Animals and the Earth ( Bloomington: Indiana University Press, 1989).
  • 5Greta Gaard, ed., Ecofeminism: Women, Animals,:Nature (Philadelphia: Temple UP, 1993).
  • 6Greta Gaard and Patrick D. Murphy, eds. , Ecofeminist Literary Criticism: Theory, Interpretation, Pedagory (Urbana: University Of Illinois Press, 1998).
  • 7Susan Griffin, "Split Culture", REVISION 9 (Winter/Spring 1987) : 17 - 23.8. Griffin, Woman and Nature,The Roaring Inside Her (San Francisco: Harper & Row,1978).
  • 8Elizabeth Dodson Gray, Green Paradise Lost (Wellesley,Mass. : Roundtable Press, 1981).
  • 9Hypatia, Special Issue on ecological feminism, vol. 6, no. 1 (Spring 1991).
  • 10Ynestra King, "The Ecology of Feminism and the Feminism of Ecology", in Healing the Wounds : The Promise of Ecofeminism, ed., Judith Plant (Philadelphia: New Society Publishers, 1989), pp. 18 - 28.

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