试析李渔戏曲理论中的“宗元”观念

An Analysis of the Concept of “Zong Yuan” in Li Yu’s Drama Theory

李渔在《闲情偶寄》中处处强调他对戏曲和自己戏曲理论的自信,但实质上则流露出很强的'宗元'观念。其'宗元'主要体现在:十分推崇元曲,以元曲为尊,评价戏曲时以合'元曲风味'者为优。李渔'宗元'并不盲目复'元'之古而是借复古以革新,对元曲所短,大胆进行革新,李渔还尤为重视舞台和观众。李渔戏曲理论中的'宗元'观念,有利于促进戏曲及戏曲理论的发展。

Although Li Yu emphasized his confidence in the style of drama and the theory of opera in'Pleasant Diversions',it actually reveals a strong concept of'Zong Yuan’.It mainly reflects in:highly respecting the Yuan Qu,with the Yuan Qu as the respect,and the evaluation that the opera is best for the'Yuan Qu flavor'.Li Yu’s'Zong Yuan'does not blindly reproduce the'Yuan'but renovation by retro.For the short of Yuan Qu,he made bold innovation,and paid attention to the stage and the audience.The concept of'Zong Yuan'was conducive to the development of the drama and opera theory.