摘要
19世纪末开始的全球化进程和西方殖民扩张 ,深刻地影响到中国美学现代化的进程 ,使它沿着两个方向展开 ,以国家民族为本位的功利主义美学观构成了时代的主潮 ,而以个体为本位 ,坚持艺术和审美独立性的理论也作为潜流在运行。今天 ,随着全球化的进程的加剧 ,我们反思中国美学的现代性问题 ,必须以此为借鉴 ,关注中国人的生存现实 ,追求人类普遍具有的精神价值 ,处理好现代性与传统的关系 ,充分发掘中国传统文化和美学中有生命力的东西 。
Globalization started at the end of 19th century and western colonial aggression have deeply influenced the process of Chinese aesthetic modernization, which is shown in two directions: (1) nation based utilitarian aesthetics forms the mainstream; (2) individual based theory of separating aesthetics from art is also seen to be working. Today, faced with globalization, we have to think about modernization of Chinese aesthetics; take notice of Chinese people's life; seek for the universal spiritual value; solve the relation between modernization and tradition and finally put the development of Chinese aesthetics into a sound process.
出处
《三峡大学学报(人文社会科学版)》
2002年第6期26-32,53,共8页
Journal of China Three Gorges University(Humanities & Social Sciences)