摘要
"生态"之向度为少数民族美学研究提供了另一种阐释视野与研究思路:从少数民族的生活惯习、艺术形式、审美文化与生态意识的"互渗"与"同构"中去探究两者之间"自洽"与"共生"的内在性逻辑,以此揭示出"生态"之于民族美学研究的视域、方法及其意义。而中国少数民族美学的生态性探究,则旨在增强本土文化的理论自信并于全球化的语境中进行民族文化的输出;这不仅为反思现代性问题的症结提供了参照性的支点,还指向着一种"人"与"自然"、"族群"与"世界"之"命运共同体"的理想境界。
Eco-Analysis has provided a new way of studying and interpreting the aesthetics of ethnic minorities in China,because their living habits,the aesthetical activities as well as other sectors of their culture are closely connected with their ecological awareness.What is more important,therefore,is to grasp the inner relations between nature and the ethnic groups.Only in this way can we handle the essence of their aesthetical concepts,which in turn has formulated the value of an ecological methodology.The article aims to highlight the importance of fostering stronger confidence in our theory and culture,which can be used not only as the reference to the problems occurring in the process of modernization,but also a great impetus to the development of a community of shared future for both man and nature,local and world.
作者
彭修银
梁宏
PENG Xiu-yin;LIANG Hong
出处
《湖北大学学报(哲学社会科学版)》
CSSCI
北大核心
2019年第2期57-64,172-173,共9页
Journal of Hubei University(Philosophy and Social Science)
基金
中央高校基本科研业务费专项资金资助项目:PJW100011801