略论《邦妮与克莱德》的美学特色——基于新好莱坞美学理论

Study of Aesthetic Characteristics of Bonnie and Clyde from the Perspective of the New Hollywood Aesthetics Theory

在政治、历史、文化等变革的背景下,好莱坞电影结束了经典时期的类型化方式。1967年上映的《邦妮与克莱德》成为了新好莱坞电影的开山之作。影片打破经典时期的人物设置,主人公不再是类型片中的英雄人物,过去的好人成了坏人,坏人成了好人,从邦妮和克莱德身上多表现的是对社会和人生的思考。人物设置的变化通过新的镜语进行叙事,使得镜头内容更具真实性,摄影机得到了"解放"。结合其他类型片的元素,从而打破了传统单一类型片的束缚,形成了新的电影类型。

Against the background of a series of political,historical,cultural and other changes,the new Hollywood film has ended the typology of the classic period.Bonnie and Clyde,released in 1967,conforms to the mental state of the citizens.Its protagonist represents the hidden desire of the audience.It has become the ground-breaking work of the new Hollywood movie.The movie has changed the characters setting-up in the classical era.The protagonist is no longer the hero in the genre film.The good man in the past has become a villain,and the bad man in the past has become a good man.The reflection of society and human life can be seen from Bonnie and Clyde.The changes of these characters are narrated by the new mirror language,through which the content is more authentic,and the camera is set free.As such,a new type of film is formed by combining the elements of other types of film and getting out of the restriction of the traditional and single genre film.