《竹雲題跋》與《虚舟題跋》版本考述

On edition researches of Zhu Yun Preface and Postscript and Xu Zhou Preface and Postscript

王澍作爲清代書法名家,臨古不輟潛心治學,其再三研審“前賢遺墨”的題跋類著述代表是《竹雲題跋》四卷與《虚舟題跋》十卷及其《虚舟題跋補原》三卷。《竹雲題跋》是《虚舟題跋》的改定之本,其成書時間雖晚於後者,卻較《虚舟題跋》首先刊刻。兩者雖同屬王澍題跋類著述且版本源流存在交錯關係,但是頗有異處又各自成書,共同構成了王澍書學理論體系,欲全面掌握和理解王澍書學思想及其發展變遷,必須從文獻版本角度將兩者結合對比考察。

Wang Shu,a famous calligrapher of Qing Dynasty,copied stone inscription rubbings for his entire life time and engaged in pursuing his studies.He repeatedly studied predecessors’calligraphy and completed his works———the four-volume Zhu Yun Preface and Postscript,the ten-volume Xu Zhou Preface and Postscript,and the threevolume Zhu Yun Preface and Postscript Addenda.Zhu Yun Preface and Postscript.The revision of Xu Zhou Preface and Postscript,were published before Xu Zhou Preface and Postscript,although it was completed later than the latter.Both of them are the preface and postscript works of Wang Shu and the edition origin of them intersect,but they are also different and constitute the theoretical system of Wang Shu’s calligraphy together.To master and understand Wang Shu’s thought and his development fully,we must from the perspective of the literature version contrast and study them.