从“曲论”到“剧评”——戏曲批评的一种流变与生成路径

The Evolution and Growth Path of Traditional Opera Criticism

在以"曲"为本的中国古典戏曲理论及批评中,隐藏着可喜的潜流,即对戏曲"戏剧性"及"综合性"的关照。当"戏剧性"作为评价标准置换"音乐性"这一评价标准,并对戏曲艺术作出"整体性"审视时,戏曲评论亦由"曲论"嬗变为"剧评"。

In the classical Chinese opera theories and criticism centered round 'music',there is some covert delightful undercurrent,i. e. a persistent attention to the 'theatricality'and 'comprehensiveness'of traditional operas. With the replacement of 'musicality'by 'theatricality'as an evaluation criterion and the implementation of a 'comprehensive'review of Chinese opera art,traditional opera reviews have also transformed from 'dramatic theories'to 'dramatic criticism'.