声音与形式重现中的民歌前景化特质呈现——民族志诗学与《巴山幺妹哭嫁歌》英译研究

Appearance of Foregrounding Traits in Reproducing Sound and Form:Ethnopoetics and Study of Translation of Wedding Lament in Bashan-oriented Area

民族志诗学理论强调将经颂、讲述、歌唱的声音再现予挽歌、赞美诗、公开演说以及叙事等口头表达形式的表达文化,这为口头文学文本的转写和翻译提供了一定的理论参考。《巴山幺妹哭嫁歌》的英译以此为理论基础,并根据相应的英语诗艺术形式翻译出蕴于大巴山地区哭嫁歌汉译本中的民歌韵味(前景化特质)。基于此,在民族志诗学理论的基础上,探讨《巴山幺妹哭嫁歌》中的身位与称呼、声响与回应、韵味与诗意等特点,并涉于译诗中予以重现,以期能为大巴山歌言翻译的理论建设与批评理论研究带来一定的启示。

Ethnopoetics puts stresses on the sound of eulogy,narration and singing reproduced in the expression culture of the oral expression forms such as elegy,anthem,public speech and narration,which affords some academic references for the transfer and translation of the oral literature text.The ChineseEnglish translation of Wedding Lament in Bashan-oriented Area is based on such theory,and the lingering charms(foregrounding traits)of Wedding Lament in Bashan-oriented Area will be represented at the root of the homologous artistic forms in English poems.On account of these,this thesis discusses the characteristics of the position and appellation,lingering charm and poetry in such folk songs rooted on Ethnopoetics,and present them in the translation,so that it can make some enlightenment for the translation of folk songs in Bashan-oriented area in the field of both theory construction and criticism theory research.