摘要
中国古代将绘画称为'丹青',足见绘画与色彩关系之密切。T形帛画作为早期重彩画的代表,其主题与内容,学者着意已多,本文从色彩入手,对T形帛画的配色、颜料以及色彩背后蕴含的风俗习惯、典章制度进行考证和解读,并尝试对正色与间色、绘事后素等相关问题展开探讨。
The ancient Chinese called paintings as dan-qing(red and green colors).This clearly shows the close relationship between painting and color.As a representative of early rich-color paintings,the T-shaped painting on silk has been much discussed in terms of its themes and contents.This paper,from the point of color,reviews and explains the color blending,the pigments and the customs and norms behind the color application.It also tries to dicuss such related issues as the relationship between the pure colors and the secondary colors,and the color application against a plain background.
作者
于兵
Yu Bing(Hunan Provincial Museum)
出处
《湖南省博物馆馆刊》
2010年第1期39-56,共18页
Hunan Provincial Museum
关键词
T形帛画
用色
颜料
正色
间色
绘事后素
T-shaped painting on silk
color application
pigments
pure colors
secondary colors
color application against a plain background