读《明季十大家山水合璧》册

Interpreting the Album Collected Works of Ten Landscape Masters of the Ming Dynasty

明末清初的山水画坛虽呈现出画派繁兴的局面,但文人画画风存在着以摹仿宋、元名家及'吴门画派'为主流思想的现象。此时的画坛为清代绘画史各画派的形成起到承上启下的作用。本文试从湖南省博物馆馆藏的《明季十大家山水合璧》册页中十位明末清初之际画家所作山水作品着眼,来探讨这一现象。

During the late Ming Dynasty and early Qing Dynasty,despite the flourish of landscape painting,literati still followed the main trend of imitating works of the great masters of the Song and Yuan dynasties and the"Wu School".This period served as a transition for the appearance of different schools of painting during the Qing Dynasty.This article tries to reflect on this phenomenon by studying the landscapes by ten late Ming or early Qing painters in the Album Collected Works of Ten Landscape Masters of the Ming Dynasty in the collection of Hunan Provincial Museum.