摘要
本文是对半个多世纪以来有关湖南楚汉墓葬出土漆器研究的综述,并略加评论。涉及20世纪30年代末至50年代初湖南楚汉漆器起步阶段的研究,20世纪50年代中期至60年代末湖南楚汉漆器初级阶段的研究。而最多篇幅用于对20世纪70年代以后所出极具代表性的楚汉漆器相关研究的评述,诸如器类的辨析、文化因素及礼俗的分析、制作工艺与装饰艺术的研究、生产与产地问题的讨论、漆器的整体研究等,其中较多地评介了西方的中国艺术史学家的批评性研究成果。
This paper gives a commented overview of researches on unearthed lacquer objects from Chu and Han tombs in Hunan over the past half century,ranging from the initial stage of researches between the late 1930s and the early 1950s to the primary stage between the mid-1950s to the end of the 1960s.The major part of this paper is devoted to the commentary on representative researches related to Chu and Han lacquer objects after the 1970s,covering such issues as the identifi cation of objects,the analysis of cultural factors and rituals and customs,the research on the manufacturing process and the decorative art,the discussion of production and places of production,and the holistic study of lacquer objects.It also offers much comment on the critical research results of Western Chinese art historians.
作者
聂菲
Nie Fei(Hunan Provincial Museum)
出处
《湖南省博物馆馆刊》
2012年第1期346-360,共15页
Hunan Provincial Museum
基金
2008年度国家社会科学基金项目《马王堆汉墓漆器整理与研究(08BKG006)》阶段性成果
关键词
湖南楚汉漆器
研究评述
器类
文化因素
工艺
生产与产地
Chu and Han lacquer objects in Hunan
review of researshes
object category
cultural factors
technology
production and places of production